Idiomas disponibles
Idiomas disponibles
[ MIC/LINE Mixing Recording
Using this unit, mixing the MIC inputs and
LINE IN inputs then recording them is
possi
. Plug microphones
equipped with a
standard phone plug into the MIC jacks
on the front panel of this unit. Two mics
Must be used for stereo (2-channel)
recording*
* Ifa microphone is plugged into MIC L
Jack with nothing plugged into the MIC
R jack, its signal is sent to both left and
right channel recording amplifiers.
2. Use headphones to monitor the inputs;
this prevents acoustic feedback --
"howling' -- that might occur if you listen
to the sound from the speakers,
3. Prior to actual recording, set the deck to
be used to the record-pause mode then
balance the relative levels between MIC
inputs and LINE IN inputs by manually
adjusting the following controls* while
keeping the total input level within the
limitations indicated by the peak level
meters.
* For MIC inputs.... the MIC LEVEL L
and R controls (L for left channel, R
for right channel)
For LINE IN inputs... the REC LEVEL
and the BALANCE control
4. For the details of the actual recording
procedure, refer to the "Recording (from
LINE IN)..." section on page 8,
[ Tape Mixing Recording
|
e Recording (from LINE IN)... on
page 8.
® MIC/LINE Mixing Recording on
the left.
1. Load a pre-recorded cassette into Deck |
and a recordable cassette into Deck II.
Plug microphones into the MIC jacks.
. Prior to actual mixing recording, set the
recording level using the following way.
1) Set Deck | to the play mode and Deck
Il to the record pause mode.
Balance the relative levels among the
MIC inputs, LINE IN inputs and Deck |
outputs.
Balancing can be done by
manually adjusting the following
Controls* while keeping the total input
level within the limitations indicated by
the peak level meters.
For MIC inputs ... The MIC LEVEL L and
R controls (L for left channel, R for
right channel).
For LINE IN inputs ... The REC LEVEL
and the BALANCE control.
For Deck | outputs ... TAPE MIX (I)
control
2)
. Set Deck | to the play mode with the pitch
control and Dolby NR (I)* switch set as
desired and Deck II to the recording
mode with Dolby NR (Il) switch* set to the
desired position.
Since
Deck
| and
Deck
Il have
independent
Dolby
NR_ switches,
recording as shown in the figure below is
possible, for example.
Original tape
Copied tape
Dolby B NR encoded
Non-encoded tape
Using Deck Il, it is possible to perform three-
way mixed recording with the playback
output
from
Deck
| dubbed
over
the
MIC/LINE mixed signal described earlier.
The diagram below shows the concept.
Deck | is equipped with a Dolby NR switch,
pitch control and TAPE MIX (|) control while
Deck Il is equipped with a Dolby NR switch.
This permits recording and editing in a
variety of ways.
Note:
For details of the recording proce-
dure, refer to the following.
© Playback with Deck | or II on page
6.
(Ga
el
4
Deck |
Deck I
|
Dolby NR (I):008} — | Dolby NR (I): OFF
Playback
Recording
(not encoded with Dolby NR)
REC LEVEL
LINE IN
MIC LEVEL
2 Spat
Deck |
TAPE MIX (I)
eo
Deck I
Recording
ARLS
{Automatic
Recording
Level-Adjust System) Function
With the ARLS function, the REC LEVEL
control moves automatically so that the peak
level in the program source which is input to
the LINE IN terminals* is set to the optimum
recording level. This makes recording level
adjustment easier than manual adjustment.
Note: When the ARLS function is to be used,
as only the LINE IN input is adjusted,
set the MIC LEVEL L and R controls
and TAPE MIX (1) control to the
minimum positions.
| Portions related to the ARLS
function
Range of preset levels
—_——$—$—>
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TLL LHL
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1. Load recordable cassette(s) into Deck |
and/or Deck |.
2. Set the deck to be recorded to the
record-pause mode.
The ARLS operation is possible even
from the STOP mode. Once the ARLS
operation is engaged, the deck enters
the record-pause mode.
If both decks
are in the STOP mode with recordable
cassettes loaded in both Deck | and Deck
Il, priority in ARLS operation is given to
Deck I.
The ARLS operation is possible even
during the record mode; in this case, the
tape continues to run.
3. Press the ARLS button. The REC LEVEL
Control will move to the optimum recording
level* automatically, At this time, the LED
indicator in the control will flicker and the
counter display will indicate the optimum
level*.
"The
initial
setting
is +5
dB
(corresponding to +5 dB on the peak
level meter).
The setting can be
adjusted from 0 to +10 dB in 1 dB steps
by pressing the mt
(UP) or ~<a
(DOWN) button on the deck which is in
the ARLS operation.
The control will
move by the corresponding amount.
