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NO.
51
52
53
-
5 4
-
SS
-
56
5 7
68
5 9
-
6 0
-
6 1
62
7
63
64
-
65
66
-
67
68
6 9
7
7 0
7 1
-
7 2
7 3
-
74
COMMENTS
COMMENTS
4 0 . 1
PATCH NAME
PATCH NAME
Clean mellow electric guitar sound for
lead or rhythm.
76
1
RHYTHM METHOD
Clean guitar with chorus and flange.
JAZZ GUITAR
17
(
MELLOW GUITAR
Clean mellow guitar w i t h reverb.
Ultra-chorused with big bass for big full
arpeggiated chords. RP
HALLELUJAH
FULLBODY
Straight ahead blues sound with overdrive.
Full and solid double chorused tone.
On
the pretty side of fat, leaving room for
o h e r instruments. DF
Adds motion and interest to repetitive
chord pmgressions. DF
BLUES LEAD
Interesting accompaniment for solo
because DpD echos descend by 5
semitones as they die away. G B
Clean sound with one octave below,
chorus and rcverb.
FALLING DOWN
ECHOPHAZER
Sounds good playing arpeggiated chords,
and medium rock.
M.M
SUBTLE TREMOLO
TIME FOR JAZZ
ARENA
Clean guitar in big concert arena.
Light, bright chorus. Good for a wide
range of styles. MM
CLEAN STRUMMER
CLEAN AMBIENCE
MAKE YOU-GO WAH
Clean sound with tremolo, reverb and
long stereo delays.
Re-enveloped with the SLO effec~, this
bright verby chorus casts an aura of
ambience.
GB
SLOW ECHO
The first 4 bars of the album, "Things tha~
make you go %mm"
-
C&C MF, were
played with this. PP
Clean guitar sound with tremolo, flange
and reverb.
83
84
85
Clean sound with heavy tremolo, reverb
with one octave below.
TREMOLO FLANGE
TWIN PEAKS
CLEAR CHORUS
Funky auto wah for that Billy Preston
clavinet through a wah effect PP
WAH
DID YOU M Y
Clean chorus sound with a burnt
edge.
GB
Simulation of tri-stereo chorus. PP
STEREO CHORUS
MR CLEAN
Clean chorus and light reverb for rhythm
guitar. Kind of a solid state amp sound,
good wlsingle PU.
DH
Pitched an interval of a maj. third above,
with Pl'D. Good for single note whole-
tone lines.
D 1
I
For recording direct to the board. ST
style-use in between treb. and mid. PU.
LP style-use both PU. ES
Some light crunch for rhythm
-
distortion
w i t h a bite - use pedal to boost early
reflection mix.
DH
Use the guitar's tone knob W<e a
continuous controller for distortion by
twisting of a dial. DF
Big verb blues, play same Clapton licks
like soundcheck at the coliseum. SB
86
87
88
PINGPONG THIRDS
DIRECT FUNK
BASICS
TONE KNOB DRIVE
ARENA BLUES
This patch works both live and direct to
board. Use your guitar volume to adjust
attack.
ES
8 9
I
THICK CRUNCH
HD
dist. crunch w/phase for color. GB/DF
SHAFT
p
-
P
P
-
Onginally used W/ an ele-aco in the
studio, works well in the middle position
of either ST or LP. ES
Wailing big crunch with round verb.
90
9 1
92
93
Flange on flange-play whatever you Like.
U!
DIRTY SPREAD
DYNAMIC FLANGE
CAPTAIN CRUNCH
SLASH IT!
Originated to thicken single note picked
rhythms live. ES
RHYTHM PlCKlN
Huge room crunch with big attack. G B
Good for slap and pop type guitar lines,
use guitar volume to adjust sensitivity. E5
FUNKY FLY
Hard rock and roll tone. Very edgy
(Guns 'n Roses).
SR
Good all around smooth rhyhm. ES
LIVE RHYTHM
Chorused crunch.
DH
Amplitude modulation wlamp sim. ES
CRUNCHY
SLIDE COMP
60'5 TREMOLO
-
-
P
-
-
-
For that clean rock slide ala Bannie, Little
Feat, etc. ES
Revcrb patch for melodic playing. BM
VOX FOR MORRY
P
Clean rhythm and lead with chorus, flang
and reverb.
Heavy metal lead sound with
ultra
ambient.
96
97
9 8
9 9
PURPLE RAIN
STEREO METAL
LOVE PUMP
LEMON SQUEEZER
GLllTER ROCK
Clean rhythm and lead with deep stereo
chorus.
Bassy, clean sound with reverh and s t e m
delays.
Heavy metal lead sound with chorus in
a tile room.
CHALA CHALA
P
-
Heavy rock lead and rhythm sound with
chorus in a room.
HEAVEN'S GATE
Clean sound with stereo chorus.
Crunchy rhythm sound with heavy
tremolo and echo.
WARM CHORUS
U2 ECHO RHYTHM
Clean sound with delays and reverb.
*
Patch #01 to
#40
of bank A have remote control settings.
Play with the FP01 Expression Pedal.
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