1.3 Output panel
28 Fader AUX RET to add the signal at the input
AUX RET (25) to the sum signal
29 Button AFL (with LED indicator) to monitor
the signal of the input AUX RET (25) after the
fader AUX RET (28) by means of head-
phones connected to the jack PHONES (19).
To have the signal indicated by the level indi-
cators (43), also press the button (42)
beneath the indicators.
30 Button MON EQ (with LED indicator) to
switch on the equalizer for the signal of the
send way AUX 1 for on-stage monitoring by
the musicians
31 7-band equalizer for the sum signal
32 7-band equalizer for the signal of the send
way AUX 1 for on-stage monitoring by the
musicians
33 Line output MONITOR OUT (6.3 mm jack,
unbal.) for the signal of the send way AUX 1
for on-stage monitoring by the musicians
34 XLR jack LAMP to connect a gooseneck light
to illuminate the console (12 V /500 mA max.)
35 Fader MONITOR for the level of the monitor
signal at the output MONITOR OUT (33) and
for the volume of the monitor signal when it is
sent to the power amplifier [switch AMPLI-
FIER ASSIGN (17) in mid-position]
36 Fader MAIN MIX to adjust the level of the
sum signal at the output MAIN OUT (45) and
to adjust the volume of the sum signal that is
sent to the power amplifier
37 Button AFL (with LED indicator) to monitor
the monitor signal after the fader MONITOR
(35) by means of headphones connected to
the jack PHONES (19). To have the signal
indicated by the level indicators (43), also
press the button (42) beneath the indicators.
38 Button COMP/ LIM (with LED indicator) to
switch on the compressor for the sum signal
39 Button MAIN EQ (with LED indicator) to
switch on the equalizer for the sum signal
40 Control RATIO to adjust the compression
ratio
41 Control THRESHOLD to adjust the threshold
value; when this value is exceeded, the sum
signal will be compressed
42 Button PFL /AFL – MAIN (with LED indicator)
to select the signal that is to be indicated by
the level indicators (43) and to be sent to the
headphone output PHONES (19)
Button disengaged:
The sum signal after the fader MAIN MIX
(36) will be indicated and sent to the head-
phone output.
Button pressed:
The signal of a channel whose button PFL
(3) or AFL (29, 37) is pressed will be indi-
cated and sent to the headphone output.
43 Level indicators; indicate the level of the sig-
nal that has been selected to be monitored by
means of the headphone output PHONES
(19), see item 42
44 LED POWER
45 Line output MAIN OUT for the sum signal
(6.3 mm jacks, bal.)
1.4 Rear panel
46 Mains jack for connection to a mains socket
(230 V~ / 50 Hz) via the mains cable supplied
47 Support for the mains fuse
Always replace a blown fuse by a fuse of the
same type.
48 POWER switch
49 Speaker jacks (6.3 mm jacks)
alternative to the jacks (50)
50 Speaker jacks (SPEAKON
®
alternative to the 6.3 mm jacks (49)
2 Safety Notes
The unit corresponds to all relevant directives of
the EU and is therefore marked with
WARNING The unit uses dangerous mains
voltage. Leave servicing to skilled
personnel only and do not insert
anything into the air vents! Inex-
pert handling of the unit may result
in electric shock.
Please observe the following items in any case:
G
The unit is suitable for indoor use only. Protect
it against dripping water and splash water,
high air humidity and heat (admissible ambient
temperature range: 0 – 40 °C).
G
Do not place any vessel filled with liquid on the
unit, e. g. a drinking glass.
G
The heat generated inside the unit must be
dissipated by air circulation; never cover the
air vents of the housing.
G
Do not operate the unit and immediately dis-
connect the mains plug from the socket
1. if the unit or the mains cable is visibly dam-
aged,
2. if a defect might have occurred after the unit
was dropped or suffered a similar accident,
3. if malfunctions occur.
In any case the unit must be repaired by skilled
personnel.
G
Never pull the mains cable to disconnect the
mains plug from the socket; always seize the
plug.
G
For cleaning only use a dry, soft cloth; never
use water or chemicals.
G
No guarantee claims for the unit and no liabil-
ity for any resulting personal damage or mate-
rial damage will be accepted if the unit is used
for other purposes than originally intended, if it
is not correctly connected or operated, or if it is
not repaired in an expert way.
If the unit is to be put out of operation
definitively, take it to a local recycling
plant for a disposal which is not harmful
to the environment.
3 Applications
This audio mixer with integrated stereo power
amplifier (class D, 2 × 400 W
RMS
ers) is suited for various PA and recording appli-
cations. It is designed as a table-top unit and
provides 6 mono input channels and 3 stereo
input channels for connecting microphones (also
phantom-powered) and audio sources with line
output level (e. g. instruments, players). Another
stereo input channel can, for example, be used
for replaying from a recorder.
The input signals can be added to a stereo
sum signal and two send ways. A digital effect
processor is available for adding effects. Audio
mixing may be monitored by means of head-
phones. Pre-fader listening to individual channel
signals by means of headphones is also sup-
ported.
compatible)
4 Connecting the Units
To avoid interfering noise, switch off the mixer or
close the faders MONITOR (35) and MAIN MIX
(36) and set the control PHONES (15) to mini-
mum prior to connecting / disconnecting.
.
4.1 Audio sources
In the input channels, it is not possible to switch
between the microphone input (13) and the line
input (11, 12). Therefore, only connect one of
these two inputs per channel.
4.1.1 Microphones
Connect microphones to the balanced XLR
jacks MIC (13). For phantom-powered micro-
phones, the switches PHANTOM (14) are avail-
able: With each of these switches, a phantom
power supply of 48 V for three microphone
inputs can be switched on. When a phantom
power supply is switched on, the LED next to the
corresponding switch will light up.
Caution: When the phantom power is switched
on, do not connect any microphone with unbal-
anced output; it may be damaged.
To prevent switching noise in the speakers and
the headphones, only switch the phantom
power on or off when the mixer has been
switched off or when the corresponding buttons
MUTE (4) have been pressed and the control
PHONES (15) has been set to minimum.
4.1.2 Line audio sources
Connect audio sources with line signal level
(e. g. receivers of wireless microphone systems,
effect units, instruments, players) to the 6.3 mm
jacks LINE IN (11, 12) of the input channels. The
jacks are balanced. To connect units with unbal-
anced output, use 2-pole 6.3 mm plugs.
— Connect mono units to the jacks (12) of the
mono channels CH 1 to CH 6.
— Connect stereo units to the jacks (11) of
the stereo channels CH 7-8, CH 9-10 and
CH 11-12. To connect a mono unit to a stereo
channel, only use the upper jack L (MONO);
the mono signal will then be internally sent to
the right and left channels.
If the input channels do not suffice, the following
stereo inputs can be used to connect additional
line sources:
1. input AUX RET (25)
To connect a mono unit, only use the jack L
at 4 Ω speak-
(MONO); the mono signal will then be inter-
nally sent to the right and left channels.
2. input TAPE IN (18)
e. g. to connect a CD player for background
music during intervals
GB
11