I Tuning to other instruments' pitches (Master
Tuning)
In situations such as when playing ensemble with other
instruments, you can tune the HP107e's standard pitch to
the pitch of another instrument. The standard pitch gen-
erally refers to the pitch of the note that's played when
you finger the middle A key. This tuning of all the instru-
ments to a standard pitch is called "tuning."
If you press the [Piano] button in step 2 of Making
Detailed Settings (Function) (p. 28), a display like the
following will appear.
The last three digits are indicated in the display. "440.0
Hz" is indicated in the figure above.
Value
415.3 Hz–440.0 Hz–466.2 Hz
Factory setting 440.0 Hz
This setting remains in effect until you turn off the power.
* You can save this setting in the HP107e's memory using the
Memory Backup function (p. 31).
I Changing the temperament
You can play classical styles such as Baroque using his-
toric temperaments (tuning methods).
Today, compositions are generally created with equal
temperament in mind and are played using equal tem-
perament. However in past ages of classical music, a vari-
ety of temperaments were used. Playing a composition
with its original tuning lets you enjoy the sonorities of the
chords that the composer originally intended.
If you press the [E.Piano] button in step 2 of Making
Detailed Settings (Function) (p. 28), a display like the
following will appear.
Temperament
You can choose from among the eight temperaments
described below.
Tempera-
Display
ment
In this tuning, each octave is divided into
1
Equal
twelve equal steps. Every interval produces
about the same amount of slight dissonance.
This tuning eliminates ambiguities in the
Just
fifths and thirds. It is unsuited to playing
2
Major
melodies and cannot be transposed, but is
capable of beautiful sonorities.
The Just tunings differ from major and
Just
3
minor keys. You can get the same effect with
Minor
the minor scale as with the major scale.
This tuning is suitable for the music of Ara-
4
Arabic
bia.
This is an improvement of the Mean Tone
Kirn-
and Just tunings that provides a high degree
5
berger
of freedom of modulation. Performances are
possible in all keys (III).
Tonic
Qualities
Chapter 5. Changing Various Settings
Tempera-
Display
ment
This scale makes some compromises in just
6
Mean Tone
intonation, enabling transposition to other
keys.
This tuning, devised by the philosopher
Pythagoras, eliminates dissonance in
7
Pythagorean
fourths and fifths. Dissonance is produced
by third-interval chords, but melodies are
euphonious.
This temperament combines the Mean Tone
Werck-
8
and Pythagorean tunings. Performances are
meister
possible in all keys (first technique, III).
Factory setting 1 C
Tonic
When playing with tuning other than equal tempera-
ment, you need to specify the tonic note for tuning the
song to be performed (that is, the note that corresponds to
C for a major key or to A for a minor key).
While hold down the [E. Piano] button, and press a
note to specify the desired tonic key.
The tonic note you specify will be displayed as follows.
fig.Chart_note2.j
Display
C
C
d
E_
E
Letter
C
C
D
E
E
name
If you choose an equal temperament, there's no need to
select a tonic note.
* If you record with a temperament other than equal tempera-
ment selected, and then want to play back that performance,
use this setting to select the same temperament for playback as
the temperament you used when recording.
* When performing in ensemble with other instruments, be
aware that depending on the key, there may be some shifting of
the pitch. Tune the HP107e to the fundamental pitch of the
other instruments.
* You can save this setting in the HP107e's memory using the
Memory Backup function (p. 31).
I Setting the tuning curve (Stretch Tuning)
A piano is generally tuned to a pitch with a lower bass
range and a higher treble range than equal temperament.
This special tuning method for pianos is called "Stretch
Tuning."
If you press the [Harpsichord] button in step 2 of Mak-
ing Detailed Settings (Function) (p. 28), a display like
the following will appear.
OFF
This is the standard tuning curve. This is the right
choice when using Dual performance (p. 19), or
when playing in ensemble with other instru-
ments.
On
This tuning curve expands the bass and treble
ends somewhat. It is suitable for performances
such as piano solos.
Factory setting On
* This effect works only with the piano tones.
Qualities
F
F
G
A_ A
b_
b
F
F
G
A
A
B
B
29