Idiomas disponibles
Idiomas disponibles
Your new Acoustasonic™ Junior amplifier delivers
world-class Fender tone and world-standard Fender
quality:
• 40 watts of power per channel @ 8Ω (80 Watts R.M.S.
Total)
• Classic Fender Reverb and chorus for a full-bodied
tone
• Two 8" woofers and a piezo horn for clean, powerful
response
• Two independent channels with individual tone
controls, voiced for acoustic instruments and vocals
A
B
C
D
A. INSTRUMENT - Plug your guitar in here.
B. VOLUME - Adjusts the overall loudness of the
instrument channel.
C. TREBLE - Adjusts the high-frequency level of the
instrument channel.
D. MID - Adjusts the middle-frequency level of the
instrument channel.
E. BASS - Adjusts the low-frequency level of the
instrument channel.
F. FEEDBACK NOTCH - By SLOWLY rotating this knob
you can fine and suppress feedback at a specific
frequency.
G. REVERB - Activates the Reverb effect on the
instrument channel.
H. STRING DYNAMICS - Controls a dynamic tone
shaping filter on the instrument channel.
the
knob
clockwise
"harshness" when playing at high volumes while
maintaining "crispness" when playing at lower levels.
I. MIC - Plug your microphone in here. This three-pin
XLR, balanced, female input connector is intended for
input signals from low-impedance microphones.
J. LINE/INST - This 1/4-inch TRS (Tip/Ring/Sleeve)
input jack is suited for line-level equipment such as
high-impedance microphones, keyboards and drum
machines. It accepts both balanced and unbalanced
inputs.
K. VOLUME - Adjusts the overall loudness of the mic /
line channel.
L. PHASE - Reverses the phase of the mic / line channel
useful for eliminating feedback in instruments using
dual-pickup configurations.
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F G
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Rotating
reduces
high-frequency
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• A footswitch jack for connecting the optional footswitch
which offers remote switching of the chorus effect
• Exclusive "String Dynamics" control effective at
suppressing high frequency "harshness" in the
amplification of some acoustical instruments
• 1/4-inch TRS and 3-Pin XLR female input connectors
• On-board spring Reverb and analog chorus effects
• Effects loop jacks for connection to either stereo or
monophonic external effects devices
Thank you for choosing Fender®
Thank you for choosing Fender®
—T
one, T
radition and Innovation—since 1946
—T
one, T
radition and Innovation—since 1946
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K L M
N O P
M. TREBLE - Adjusts the high-frequency level of the mic
/ line channel.
N. BASS - Adjusts the low-frequency level of the mic /
line channel.
O. CHORUS - Activates the chorus effect on the mic /
line channel.
P. REVERB SEND - Adjusts the level of the mic / line
channel that is sent to the Reverb circuit. Rotating
the knob clockwise increases the level.
Q. RATE - Adjusts the modulation speed of the chorus
effect. Rotating the knob clockwise increases the
modulation speed.
R. MASTER CHORUS - Activates the chorus effect on
both channels. The master chorus must be on before
any chorus signal will be heard.
footswitch, while connected, will override the master
chorus select switch.
S. DEPTH - Adjusts the depth (swell) of the chorus
effect. Rotating the knob clockwise, increases the
intensity.
T. CHORUS INDICATOR - This LED illuminates when
the chorus circuit is active.
varies indicating the chorus sweep rate.
U. MASTER REVERB - Adjusts the amount of overall
Reverb effect in both channels. Must be turned up
before any Reverb effect will be heard.
V. MASTER PHASE - Reverses the phase of the
Acoustasonic Junior amplifier. Useful for eliminating
feedback when playing in small environments.
W. POWER INDICATOR - This LED illuminates when the
Acoustasonic Junior is receiving power.
X. POWER - Switches the unit ON and OFF.
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Q R S
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The LED brightness
X
W
The optional
