Fender Vibrolux Reverb-Amp Manual De Instrucciones página 8

Tabla de contenido
Idiomas disponibles
  • ES

Idiomas disponibles

  • ESPAÑOL, página 10
1968 was a transitional year for Fender amps, with tone that was
still pure Fender but a look that was brand new. With a silver-and-
turquoise front panel and classy aluminum "drip edge" grille cloth
trim, the Vibrolux® Reverb received a fresh new face as it remained
the ideal medium-powered two 10" combo for gigs. Small, light, and
moderately powered, it produced big tube tone, with world-class
Fender reverb and vibrato effects. For countless guitarists ever since,
the Vibrolux® Reverb has been a go-to amp for classic Fender sound.
The '68 Custom Vibrolux® Reverb Amp pays tribute to the classic
look, sound, and performance of Fender's late-'60s "silverface"
amps. In a special twist, both channels boast reverb and tremolo,
and the "custom" channel has a modified Bassman® tone stack that
gives modern players greater tonal flexibility with pedals. The amp
also features quicker overdrive onset and reduced negative feed-
back for greater touch sensitivity. The '68 Custom Vibrolux® Reverb's
two 10" Celestion® TEN 30 speakers also deliver a more distinctively
rock 'n' roll flavor.
PRODUCT REGISTRATION — Please visit:
CUSTOM CHANNEL
A. INPUT 1 — Full sensitivity input for most guitars.
B. INPUT 2 — Lower sensitivity input (-6dB) to provide high-
output guitars with cleaner response.
Both INPUT 1 and INPUT 2 become equal in sensitivity when
used simultaneously.
C. BRIGHT — Provides a high-frequency boost which tapers off
as the VOLUME level is increased.
D. VOLUME — Adjusts the loudness of the amplifier.
E.
TREBLE / BASS — Adjusts the high- and low-frequency tone
character.
VINTAGE CHANNEL
F.
INPUT 1 — Full sensitivity input for most guitars.
G. INPUT 2 — Lower sensitivity input (-6dB) to provide high-
output guitars with cleaner response.
Both INPUT 1 and INPUT 2 become equal in sensitivity when
used simultaneously.
8
www.fender.com/product-registration
Features:
• Modified Vibrolux® Reverb circuit with all-tube circuitry
• Two 6L6 output tubes
• Four 12AX7 and two 12AT7 preamp tubes
• "Vintage" channel for traditional silverface operation
• Modified "custom" channel with Bassman® tone stack
• Reduced negative feedback for greater touch sensitivity
• Shared reverb and tremolo on both channels
• Recitifier "sag" built into power transformer
• Hand-wired tube sockets
• Custom-made Schumacher transformers (like the originals)
• Two 10" Celestion® TEN 30 speakers for crunchy rock 'n' roll tones
• Genuine Fender tube-driven spring reverb
• Genuine Fender tube-driven grid-bias tremolo ("vibrato")
• 35 watts output power
• 1968-style Silverface aluminum trim around silver-turquoise grille
cloth
• Vintage-style two-button reverb/vibrato foot switch
• Fitted cover
• Five-year warranty
(United States and Canada; other territories may vary)
H. BRIGHT — Provides a high-frequency boost which tapers off
as the VOLUME level is increased.
I.
VOLUME — Adjusts the loudness of the amplifier.
J.
TREBLE / BASS — Adjusts the high- and low-frequency tone
character.
BOTH CHANNELS
Reverb and Vibrato affect both the CUSTOM and the
VINTAGE channels.
K. REVERB — Adjusts the level of the Reverb effect. Reverb can
be switched on/off from the FOOTSWITCH {U}.
L.
SPEED — Adjusts the rate of the Vibrato effect. Vibrato can
be switched on/off from the FOOTSWITCH {U}.
M. INTENSITY — Adjusts the depth of the Vibrato effect.
The FOOTSWITCH {U} is required to turn the Vibrato effect
on.
N. POWER INDICATOR — Illuminates when power is switched
on to the amplifier.
Tabla de contenido
loading

Tabla de contenido