TABLE OF CONTENTS
THINGS TO DO BEFORE POWERING UP
1.0 THE CHANNELS OF THE TOUR REVERB
2.0 CONNECTIONS AND CONTROL FEATURES
3.0 STANDARD SETUP / CABLE CONNECTIONS
4.0 OPERATING THE TOUR REVERB
4.1 SELECTING CHANNELS
4.2 THE TOUR REVERB AND FX DEVICES
4.3 THE LINE OUTPUT OF THE TOUR REVERB
THINGS TO DO BEFORE POWERING UP
• Check out the voltage rating displayed next to the amp's
AC socket and make sure it matches your local AC current
before you plug the TOUR REVERB's power cord into an AC
outlet.
• Make sure plenty of air can circulate around the back of the
amp chassis. Heat kills electrical components.
• Place the amp on a sturdy, secure base and avoid exposing
it to mechanical shocks and extreme temperatures that
could endanger the device or your and others' safety.
• Hughes & Kettner is not liable for any damage to the amp
due to improper operation.
1.0 THE CHANNELS OF THE TOUR REVERB
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C L E A N :
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Full-bodied clean sounds that remains undistorted even at high
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volumes require a beefy power amp, plenty of headroom and
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a specially tweaked Clean channel. Whether you're after
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shimmering chords, crisp single note lines or bright, loud coun-
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try twang—it's all there in the Clean channel in a wealth of
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variation.
C R U N C H :
Blues sounds à la carte! This channel covers an impressive
tonal spectrum from squeaky clean to gritty overdrive. It res-
ponds to every nuance in your picking attack and gives you
precise control over the amount of overdrive via your guitar's
volume knob. Higher gain settings will give you the kind of
warm, singing sustain that is ideal for very expressive bluesy
leads.
L E A D :
The hottest of the three channels, Lead delivers vintage
as well as contemporary rock sounds. Its response is immediate
and extremely dynamic. The Voicing knob lets you dial in a
wide range of tonal characteristics—from creamy smooth to
British-style aggressive, Texas sting to Gothic grunge, and ever-
ything in between.
H A L L :
The ACCUTRONICS® 3-spring reverb system is famous for
its excellent and genuinely warm sound. The engineers placed
the reverb circuit In the signal chain after the FX loop so that
you can add ultra-clean reverb to whatever external effects
you use. Of course the reverb amount is variable, but once
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