Tabla de contenido
* Shaded modules: Effects are set to Off when patch is called.
* Expression pedal setting items are listed in the order module name : effect type name : parameter name.
* The [ ] symbol in the table denotes a vertical direction setting, and the [ ] symbol a horizontal direction setting.
* For expression pedal setting items, effects enclosed in brackets () can be switched on by pressing switches 1 – 4, or
by fully depressing the pedal.
Patch
Patch name
Foot switch 1
Foot switch 2
number
WAH : Splitter
AMP : G-Krueger
01
SlapSolo
Typical slap solo sound of the eighties, using short delay. Chorus mix ratio can be adjusted by
moving the expression pedal horizontally. Pressing foot switch 1 in manual mode turns the
"Splitter" effect on, to emphasize the slap pull.
WAH : Tremolo
AMP : TubePre
0 2
Detune
Detune chorus sound to make the bass stand out in an ensemble. Effective for ballads and solos.
WAH : Octave
AMP : SansAmp
03
Synthtic
Synth bass type patch using "Octave" and "Auto Resonance". Suitable for funky bass lines with
a powerful attack.
CMP : M Comp
AMP : MXR D.I+
0 4
UP 2oct
Distortion sound using the dedicated expression pedal effect "Z-MonoPitch". Allows you to use
the expression pedal for whammy pedal type play.
CMP : Limiter
AMP : WalterWds
11
FunkyWah
Auto wah sound with a solid bottom. Great for percussive play with mute or ghost notes.
WAH : AutoWah
AMP : WalterWds
1 2
Basic CP
All-rounder compression sound that gives the bass sound a tight, glossy feel. Delay mix ratio
can be adjusted by moving the expression pedal horizontally. Useful for any kind of playing
style, including fi ngering, picking, and slap.
CMP : M Comp
AMP : FuzzFace
13
60sFzWah
This patch combines the "PedalVox" effect modeled on Vox pedals with the "Fuzz Face"
effect. Move the expression pedal horizontally for more radical distortion.
WAH : Octave
AMP : TS9
1 4
Drum'nBs
Ultra low note patch using "Octave". The slight chorus is the secret ingredient.
WAH : Defret
AMP : Aguilar
21
Defret12
This patch simulates the characteristic attack sound of a fretless bass. Move the expression
pedal horizontally to add a one-octave higher sound component for a wider spread, great for
melodious playing.
CMP : Compressor
AMP : MonoSyn
2 2
AnalogPD
Pad sound using "Analog Delay". By moving the expression pedal horizontally, you can add
a one-octave higher sound component for a wider spread. Suitable for play using the volume
pedal or tapping.
CMP : Compressor
AMP : BigMuff
23
Dis.JET
Jet fl anger sound with radical distortion. Make the fl anger wail by moving the expression pedal
vertically, and add delay with a horizontal movement.
WAH : AutoWah
AMP : V-Syn
2 4
FunkySyn
Sharp and funky synthesizer patch enhanced by resonance and light doubling that gives the sound body.
CMP : Limiter
AMP : AmpegSVT
31
ROCK
"Ampeg SVT" patch in the style of the famous rock amp. The limiter that evens out the picking
attack sound is the key.
CMP : M Comp
AMP : Aguilar
3 2
POPS
Basic sound for laying down a bottom line in pop music. Compatible with all playing styles,
including fi ngering, picking, and slap.
WAH : Defret
AMP : Polytone
33
JAZZ
Use of the "Polytone Mini Brute III" makes this a great patch for playing Jazz. Pressing foot
switch 1 in manual mode turns on "Defret" for fretless bass sound.
B9.1ut-Patchlist-E-1
Patch List
Foot switch 3
Foot switch 4
Expression pedal
MOD : ST-Chorus
DLY : Delay
Volume
MOD:ST-Chorus:Mix
MOD : Detune
REV : Hall
Volume
DLY:Delay:Mix
MOD : A-Resonance
DLY : Delay
Volume
AMP:SansAmp:Gain
MOD : Z-MonoPitch
DLY : Delay
MOD:Z-MonoPitch:PdlPosi V
MOD:Z-MonoPitch:PdlPosi H
MOD : Chorus
DLY : Delay
Volume
WAH:AutoWah:Resonance
MOD : Chorus
DLY : Delay
Volume
DLY:Delay:Mix
MOD : Flanger
DLY : Delay
WAH:PedalVox:Frequency
AMP:FuzzFace:Gain
MOD : Chorus
REV : Hall
Volume
WAH:Octave:OctLvl
MOD : MonoPitch
REV : Hall
Volume
MOD:MonoPitch:Balance
MOD : PitchShift
DLY : AnalogDelay
Volume
MOD:PitchShift:Balance
MOD : X-Flanger
DLY : Delay
MOD:X-Flanger:X-Fade
DLY:Delay:Mix
MOD : MonoPitch
REV : E/Refl ection
Volume
WAH:AutoWah:Resonance
MOD : Chorus
DLY : Delay
Volume
AMP:AmpegSVT:Gain
MOD : Chorus
DLY : Delay
Volume
(MOD:Chorus:Rate)
MOD : Air
DLY : Delay
Volume
MOD:Air:Refl ex
CMP : Limiter
AMP : Hartke
3 4
METAL
Heavy metal patch with a strident sound that emphasizes the pick attack. Pressing foot switch
3 in manual mode turns on the "CombFilter" for an even stronger metallic tone. Move the
expression pedal horizontally to vary the emphasized frequency.
WAH : AutoWah
AMP : AmpegSVT
41
REGGAE
Strong bass patch for Reggae and Dub.
WAH : AutoWah
AMP : AmpegB15
4 2
Old R+B
Sixties R&B type patch using the Ampeg B15 much beloved by James Jamerson.
WAH : AutoWah
AMP : AmpegSVT
43
N.O.funk
New Orleans Funk sound with a clear, wide tone range. Good for fi ngering or slap play.
CMP : Compressor
AMP : AmpegSVT
4 4
60'sROCK
A patch that simulates the bass sound of 1960s Rock.
CMP : M Comp
AMP : Trace
51
Q-TRON
Patch modeled on the Electro-Harmonix Q-Tron. Suitably light mix of original sound makes
the patch easy to use.
WAH : X-Phaser
AMP : ODB-3
52
ODB-3
Patch modeled on the Boss ODB-3. Strong distortion is great for solos.
CMP : M Comp
AMP : SansAmp
53
SANSAMP
Patch modeled on the Sansamp Bass Driver DI preferred by many bassists. Light distortion is
just right for some Rock styles, and compression makes the patch easy to use.
CMP : Compressor
AMP : BigMuff
54
BigMuff
Patch modeled on the Electro-Harmonix Big Muff, with its trademark radical distortion sound.
CMP : M Comp
AMP : Trace
61
OctaBass
Patch modeled on the EBS OctaBass. One-octave lower sound component provides an intimiate
club feel.
WAH : X-Vibe
AMP : TubePre
62
CHORUS
Basic chorus sound with limited modulation. Suitable for all genres.
CMP : M Comp
AMP : BigMuff
63
FLANGER
Flanger sound that starts to pulsate when you push the pedal. Great for highlighting a phrase.
CMP : M Comp
AMP : BigMuff
64
PHASER
Phaser sound with a solid foundation. Enjoy smart play with a breezy feel.
CMP : Limiter
AMP : AmpegSVT
71
ENVELOPE
Versatile Funk sound using a mix of eighties style auto wah and original sound.
CMP : M Comp
AMP : Aguilar
7 2
Aguilar
Powerful and clean sounding bass patch modeled on the Aguilar. (This patch is suitable for line output.)
WAH : Octave
AMP : SuperBass
73
SuperBs
This patch is characterized by the typical overdrive sound of the Marshall 1992 Super Bass,
which is also great for solos. (This patch is suitable for line output.)
CMP : Compressor
AMP : Hartke
7 4
Hartke
Patch modeled on the combination of a Hartke HA3500 with the 4.5XL aluminum-cone
speaker cabinet. Straight sound brings out the umistakable punch of the aluminum cone. (This
patch is suitable for line output.)
CMP : Compressor
AMP : AmpegSVT
81
SVT
Patch modeled on the combination of the Ampeg all-tube amp SVT with the 810E cabinet. The gutsy
sound of this bass amp is one of the mainstays of Rock. (This patch is suitable for line output.)
CMP : DualComp
AMP : G-Krueger
8 2
G-Kruger
Patch modeled on the combination of the Gallien Krueger 800RB with the 410RBH cabinet.
The solid sound packs a punch. (This patch is suitable for line output.)
WAH : Defret
AMP : Polytone
83
PolyTone
Patch modeled on the "Polytone Mini Brute III" favored by Jazz musicians for its distinctive
midrange character. Pressing foot switch 1 in manual mode turns on "Defret" for fretless bass
sound. (This patch is suitable for line output.)
CMP : Compressor
AMP : WalterWds
8 4
WalterWD
Patch modeled on the combination of the Walter Woods M300 with the Bag End S-12B cabinet.
The Walter Woods can be used with various instruments, but in this patch, the EQ is optimized
for bass. (This patch is suitable for line output.)
WAH : AutoWah
AMP : Bassman
91
RecBass
Patch with slight compression for recording. By changing the head amp, you can record with
your preferred bass amplifi er. Here, the standard sound of the Fender Bassman is selected. (This
patch is suitable for line output.)
MOD : CombFilter
DLY : SOS
Volume
(MOD:CombFilter:Frequency)
MOD : Chorus
DLY : Delay
Volume
(WAH:AutoWah:Resonance)
MOD : Vibe
DLY : Delay
Volume
(MOD:Vibe:Depth)
MOD : Chorus
DLY : Delay
Volume
(MOD:Chorus:Rate)
MOD : Chorus
DLY : Delay
Volume
AMP:AmpegSVT:Gain
MOD : Chorus
DLY : Delay
Volume
WAH:A-Resonance:Sense
MOD : Chorus
DLY : Delay
Volume
(WAH:X-Phaser:X-Fade)
MOD : Flanger
DLY : Delay
Volume
AMP:SansAmp:Gain
MOD : Chorus
DLY : Delay
Volume
AMP:BigMuff:Gain
MOD : Chorus
DLY : Delay
Volume
(MOD:Chorus:Rate)
MOD : Detune
DLY : Delay
Volume
(WAH:X-Vibe:X-Fade)
MOD : Flanger
DLY : Delay
Volume
MOD:Flanger:Depth
MOD : ModDelay
DLY : ReverseDelay
Volume
WAH:4StagePhaser:Rate
MOD : Chorus
DLY : Delay
Volume
WAH:AutoWah:Sense
MOD : Chorus
DLY : Delay
Volume
(MOD:Chorus:Rate)
MOD : Flanger
REV : Arena
Volume
(MOD:Flanger:Depth)
MOD : BendChorus
DLY : Delay
Volume
(MOD:BendChorus:Depth)
MOD : Chorus
DLY : Delay
Volume
AMP:AmpegSVT:Gain
MOD : AutoFilter
REV : ModernSpring
Volume
(MOD:AutoFilter:Sense)
MOD : Detune
REV : Room
Volume
AMP:Polytone:Gain
MOD : Chorus
DLY : Delay
Volume
(MOD:Chorus:Rate)
MOD : Chorus
DLY : Delay
Volume
AMP:Bassman:Gain
Continued overleaf ➤
Tabla de contenido
