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SYSTEM 35

Voltage Control (modulation)

2nd 911 Output

904A Control Input

921 Aux Sine Output

2nd 902 Signal Input

2nd 902 Signal Output

CP3A-O Input 4

CP3A-O Outputs

921B DC Mod Input (three of)

3rd 911 Output

2nd 902 Control Input

This patch allows a delayed vibrato effect to fade in when a note is held.

The external keyboard controls the pitch and triggering of notes via the CM1A MIDI Interface. As this can be switched between v-trigger and s-trigger then s-trigger

should be selected and the 961 Interface need not be used.

Pitch CV is fed to one of the 921A Oscillator Drivers, which daisy chain to the 921B VCOs. The selected waveform from each VCO is fed to one of the CP3A-M mixers;

which then feeds the 904A LPF. S-triggers are fed to a multiple, and then to the 911 EGs' s-trigger inputs

The output of the 904A is fed to one of the 902 VCAs, which feeds out to your mixer, amplifier or DAW. This VCA is controlled by the first 911 EG. The second 911 feeds

the 904A control input. The third 911 EG controls the second 902 VCA.

The second 902 VCA signal input is fed from the 921 LFO. Its output is fed to the fourth input of the C3PA-O, so that it can be attenuated if necessary. The C3PA-Os

three outputs feed the DC Modulation inputs of the 921 Oscillators

The third 911 should have a long attack time and full sustain.

So long as the first 911 has a long sustain time, when a note is held a vibrato effect will fade in slowly. When notes are played legato there is little or no vibrato

Space Rock

To mixer/ampli er/DAW

This patch creates two of the classic 'space rock' sounds, and allows them to be mixed together.

Source

Destination

921 Sine Wave Output

904A Control Input

921A Frequency Output

2 x 921B Frequency Link (in series)

1st 921B Sine Wave Output

904A Control Input

2nd 921B Sine Wave Output

904B Control Input

923 Pink Noise Output

904B Signal Input

904A Signal Output

CP3A-M Input 1

904B Signal Output

CP3A-M Input 2

CP3A-M Output

Your mixer, amplifier, DAW

Control settings are very important for this patch.

Regeneration on the 904A LPF must be set to 9 or 10 to force the filter to self-oscillate

The 921A should have Octave selected and the frequency control set to -6

The 921B VCOs should be set to 'Lo' – these LFOs provide the sweep to the filters

The 921 LFO should be set to 'Sub' – this is the main modulation for the self-oscillating filter, and manual alteration of the Frequency control helps to produce the

classic sound.

The pink noise feeding the 904B HPF produces a swept wind effect, that can be altered with the Fixed Control Voltage

Altering the Fixed Control Voltage of the 904A LPF also produces interesting effects

The CP3A-M balances the two signals, as an alternative feed the outputs of the two filters direct to two mixer or amplifier channels. Both sounds benefit from

a lot of echo!

Mellow Organ

To mixer/ampli er/DAW

A mellow sound using the 914 FFB that can easily be changed to something more aggressive by changing the settings

Voltage Control (pitch)

Source

Destination

External MIDI Keyboard – MIDI Out

CM1A MIDI Interface MIDI In

CM1A CV Output via Multiple

921A Frequency Input x 2

921A Frequency Output x 2