Tabla de contenido
Implementación MIDI
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 00 54 | 00
| (Reserved)
:
:
| 04 50 00 57 | 00
| (Reserved)
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 00 58 | 00 — 01 | MASTER FX1 INSERT SWITCH
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 00 59 | 00 — 01 | MASTER FX2 INSERT SWITCH
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| 04 50 00 5A | 00 — 01 | MASTER FX3 INSERT SWITCH
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| 04 50 00 5B | 00 — 01 | MASTER FX4 INSERT SWITCH
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| 04 50 00 5C | 00 — 01 | MASTER FX5 INSERT SWITCH
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| 04 50 00 5D | 00 — 01 | MASTER FX6 INSERT SWITCH
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 00 5E | 00
| (Reserved)
:
:
| 04 50 00 5F | 00
| (Reserved)
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 00 60 | 0aaaaaaa| MASTER FX1 INSERT SEND LEVEL
| 04 50 00 61#| 0bbbbbbb|
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|—————————————+—————————+—————————————————————————————————————————|
| 04 50 00 62 | 0aaaaaaa| MASTER FX2 INSERT SEND LEVEL
| 04 50 00 63#| 0bbbbbbb|
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|—————————————+—————————+—————————————————————————————————————————|
| 04 50 00 64 | 0aaaaaaa| MASTER FX3 INSERT SEND LEVEL
| 04 50 00 65#| 0bbbbbbb|
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| 04 50 00 66 | 0aaaaaaa| MASTER FX4 INSERT SEND LEVEL
| 04 50 00 67#| 0bbbbbbb|
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| 04 50 00 68 | 0aaaaaaa| MASTER FX5 INSERT SEND LEVEL
| 04 50 00 69#| 0bbbbbbb|
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| 04 50 00 6A | 0aaaaaaa| MASTER FX6 INSERT SEND LEVEL
| 04 50 00 6B#| 0bbbbbbb|
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|—————————————+—————————+—————————————————————————————————————————|
| 04 50 00 6C | 00
| (Reserved)
:
:
| 04 50 00 6F | 00
| (Reserved)
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| 04 50 00 70 | 0aaaaaaa| MASTER FX1 INSERT RETURN LEVEL
| 04 50 00 71#| 0bbbbbbb|
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| 04 50 00 72 | 0aaaaaaa| MASTER FX2 INSERT RETURN LEVEL
| 04 50 00 73#| 0bbbbbbb|
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| 04 50 00 74 | 0aaaaaaa| MASTER FX3 INSERT RETURN LEVEL
| 04 50 00 75#| 0bbbbbbb|
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| 04 50 00 76 | 0aaaaaaa| MASTER FX4 INSERT RETURN LEVEL
| 04 50 00 77#| 0bbbbbbb|
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| 04 50 00 78 | 0aaaaaaa| MASTER FX5 INSERT RETURN LEVEL
| 04 50 00 79#| 0bbbbbbb|
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| 04 50 00 7A | 0aaaaaaa| MASTER FX6 INSERT RETURN LEVEL
| 04 50 00 7B#| 0bbbbbbb|
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|—————————————+—————————+—————————————————————————————————————————|
| 04 50 00 7C | 00
| (Reserved)
:
:
| 04 50 00 7F | 00
| (Reserved)
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 01 00 | 00 — 11 | MONITOR SOURCE
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| 04 50 01 01 | 00
| (Reserved)
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 01 02 | 00 — 09 | PHONES OUTPUT SOURCE
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|—————————————+—————————+—————————————————————————————————————————|
| 04 50 01 03 | 00
| (Reserved)
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| 04 50 01 04 | 00 — 09 | MASTER OUTPUT SOURCE
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| 04 50 01 05 | 00 — 09 | AUX OUTPUT SOURCE
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|—————————————+—————————+—————————————————————————————————————————|
| 04 50 01 06 | 00
| (Reserved)
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 01 07 | 00 — 09 | MONITOR OUTPUT SOURCE
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|—————————————+—————————+—————————————————————————————————————————|
| 04 50 01 08 | 00
| (Reserved)
:
:
| 04 50 01 0F | 00
| (Reserved)
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 01 10 | 00 — 09 | DIGITAL L/R OUTPUT SOURCE
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| 04 50 01 11 | 00
| (Reserved)
:
:
| 04 50 01 23 | 00
| (Reserved)
|—————————————+—————————+—————————————————————————————————————————|
| 04 50 01 24 | 0aaaaaaa| REC BUS MIX ATT
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| 04 50 01 25#| 0bbbbbbb|
|—————————————+—————————+—————————————————————————————————————————|
(*)
Las direcciones con una "#" se ignoran, incluso cuando se envía como Dirección de
inicio. Transmite el mensaje del grupo de información (DT1) o petición de información
(RQ1) con el tamaño especificado a la dirección sin la marca "#".
82
:
:
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
:
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
less than —905,—905,,,60 =
—Inf,—90.5,,,+6.0dB |
:
MASTER,REC BUS,AUX1,AUX2, |
FXSND1,,,FXSND6,DIR1,,,DIR8 |
MASTER,MONITOR,AUX1/2, |
FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 |
MASTER,MONITOR,AUX1/2, |
FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 |
MASTER,MONITOR,AUX1/2, |
FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 |
MASTER,MONITOR,AUX1/2, |
FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 |
:
MASTER,MONITOR,AUX1/2, |
FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 |
:
—42.0,,,+0.0dB(—420,,,0) |
(*1) Tabla de proporción de dinámicas
|
+——————+————————+
| Data |
RATIO |
|
+——————+————————+
|
0 | 1.00:1 |
Off,Ins |
|
1 | 1.12:1 |
|
2 | 1.25:1 |
Off,Ins |
|
3 | 1.40:1 |
|
4 | 1.60:1 |
Off,Ins |
|
5 | 1.80:1 |
|
6 | 2.00:1 |
Off,Ins |
|
7 | 2.50:1 |
|
8 | 3.20:1 |
Off,Ins |
|
9 | 4.00:1 |
|
10 | 5.60:1 |
Off,Ins |
|
11 | 8.00:1 |
|
12 | 16.0:1 |
|
|
13 |
Inf:1 |
+——————+————————+
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(*2) Tabla de ataque de dinámicas/tiempo de desvanecimiento
|
+—————+———————+——————++—————+———————+——————++—————+———————+———————+
|
|
|Atk
|Data |
(ms)|
+—————+———————+——————++—————+———————+——————++—————+———————+———————+
|
|
0 |
0.0 |
|
|
1 |
0.1 |
|
2 |
0.2 |
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3 |
0.3 |
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4 |
0.4 |
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5 |
0.5 |
|
6 |
0.6 |
|
7 |
0.7 |
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8 |
0.8 |
|
|
9 |
0.9 |
|
10 |
1.0 |
|
11 |
1.1 |
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12 |
1.2 |
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13 |
1.3 |
|
14 |
1.4 |
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15 |
1.5 |
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16 |
1.6 |
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17 |
1.7 |
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18 |
1.8 |
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19 |
1.9 |
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20 |
2.0 |
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21 |
2.1 |
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22 |
2.2 |
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23 |
2.4 |
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24 |
2.5 |
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25 |
2.7 |
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26 |
2.8 |
|
27 |
3.0 |
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28 |
3.2 |
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29 |
3.3 |
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30 |
3.6 |
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31 |
3.8 |
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32 |
4.0 |
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33 |
4.2 |
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34 |
4.5 |
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35 |
4.7 |
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36 |
5.0 |
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37 |
5.3 |
|
38 |
5.6 |
|
39 |
6.0 |
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40 |
6.3 |
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41 |
6.7 |
+—————+———————+——————++—————+———————+——————+
(*3) Consulte la Tabla de frecuencias del mezclador de NRPN y Mixer Parameter.
|
(*4) Consulte la Tabla Q del mezclador de los parámetros NRPN y Mixer.
|
(*5) Es de sólo lectura. Los parámetros sólo se pueden definir desde el panel.
|
● Parámetro de efectos
|
❍Dirección básica
|
+—————————————————————————————————————————————————————————————————+
| Start
|
address
|=============+===================================================|
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| 05 00 00 00 | 0aaaaaaa| EFFECTOR — 1 Algorithm
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| 05 00 00 01#| 0bbbbbbb| ( 0:Reverb
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|Rel
||
|Atk
|Rel
(ms)||Data |
(ms)|
(ms)||
0 ||
42 |
7.1 |
71 ||
1 ||
43 |
7.5 |
75 ||
2 ||
44 |
8.0 |
80 ||
3 ||
45 |
8.4 |
84 ||
4 ||
46 |
9.0 |
90 ||
5 ||
47 |
9.4 |
94 ||
6 ||
48 |
10.0 |
100 ||
7 ||
49 |
10.6 |
106 ||
8 ||
50 |
11.2 |
112 ||
9 ||
51 |
12.0 |
120 ||
10 ||
52 |
12.5 |
125 ||
11 ||
53 |
13.3 |
133 ||
12 ||
54 |
14.0 |
140 ||
13 ||
55 |
15.0 |
150 ||
14 ||
56 |
16.0 |
160 ||
15 ||
57 |
17.0 |
170 ||
16 ||
58 |
18.0 |
180 || 100 | 200.0 |
17 ||
59 |
19.0 |
190 || 101 | 210.0 |
18 ||
60 |
20.0 |
200 || 102 | 224.0 |
19 ||
61 |
21.0 |
210 || 103 | 237.0 |
20 ||
62 |
22.4 |
224 || 104 | 250.0 |
21 ||
63 |
23.7 |
237 || 105 | 266.0 |
22 ||
64 |
25.0 |
250 || 106 | 280.0 |
24 ||
65 |
26.6 |
266 || 107 | 300.0 |
25 ||
66 |
28.0 |
280 || 108 | 315.0 |
27 ||
67 |
30.0 |
300 || 109 | 335.0 |
28 ||
68 |
31.5 |
315 || 110 | 355.0 |
30 ||
69 |
33.5 |
335 || 111 | 376.0 |
32 ||
70 |
35.5 |
355 || 112 | 400.0 |
33 ||
71 |
37.6 |
376 || 113 | 422.0 |
36 ||
72 |
40.0 |
400 || 114 | 450.0 |
38 ||
73 |
42.2 |
422 || 115 | 473.0 |
40 ||
74 |
45.0 |
450 || 116 | 500.0 |
42 ||
75 |
47.3 |
473 || 117 | 530.0 |
45 ||
76 |
50.0 |
500 || 118 | 560.0 |
47 ||
77 |
53.0 |
530 || 119 | 600.0 |
50 ||
78 |
56.0 |
560 || 120 | 630.0 |
53 ||
79 |
60.0 |
600 || 121 | 670.0 |
56 ||
80 |
63.0 |
630 || 122 | 710.0 |
60 ||
81 |
67.0 |
670 || 123 | 750.0 |
63 ||
82 |
71.0 |
710 || 124 | 800.0 |
67 ||
83 |
75.0 |
750 |+—————+———————+———————+
|
|
Contents and remarks
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|
aaaaaaabbbbbbb =
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1:Delay
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2:Stereo Delay Chorus
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3:Stereo Pitch Shifter Delay
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4:Vocoder
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5:2ch RSS
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6:Delay RSS
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7:Chorus RSS
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8:Guitar Multi 1
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9:Guitar Multi 2
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10:Guitar Multi 3
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11:Vocal Multi
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12:Rotary
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13:Guitar Amp Modeling
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14:Stereo Phaser
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15:Stereo Flanger
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16:Dual Comp/Limiter
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| (17:Gate Reverb
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18:Multi Tap Delay
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19:Stereo Multi
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20:Reverb 2
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21:Space Chorus
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22:Lo—Fi Processor
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23:4Band Parametric Equalizer
|
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24:10Band Graphic Equalizer
|
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25:Hum Canceler
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26:Vocal Canceler
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| (27:Voice Transformer
|
| (28:Vocoder 2
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29:Mic Modeling
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30:3Band Isolator
|
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31:Tape Echo 201
|
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32:Analog Flanger
|
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33:Analog Phaser
|
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34:Speaker Modeling
|
| (35:Mastering Tool Kit
||Data |Atk
|Rel
|
|
(ms)|
(ms)|
84 |
80.0 |
800 |
85 |
84.0 |
840 |
86 |
90.0 |
900 |
87 |
94.4 |
944 |
88 | 100.0 |
1000 |
89 | 106.0 |
1060 |
90 | 112.0 |
1120 |
91 | 120.0 |
1200 |
92 | 125.0 |
1250 |
93 | 133.0 |
1330 |
94 | 140.0 |
1400 |
95 | 150.0 |
1500 |
96 | 160.0 |
1600 |
97 | 170.0 |
1700 |
98 | 180.0 |
1800 |
99 | 190.0 |
1900 |
2000 |
2100 |
2240 |
2370 |
2500 |
2660 |
2800 |
3000 |
3150 |
3350 |
3550 |
3760 |
4000 |
4220 |
4500 |
4730 |
5000 |
5300 |
5600 |
6000 |
6300 |
6700 |
7100 |
7500 |
8000 |
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*1)
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*1)
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*1,*2)
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*1,*2)
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*1,*2)
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Tabla de contenido
