Manuales relacionados para Shure LEGENDARY PERFORMANCE BLX Serie
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- Página 1 power ready group channel audio (0-9) (A-Y) BLX4 power audio ready channel ready group audio group channel (0-9) (A-Y) (A-Y) (0-9) BLX88 -10 dB group channel (A-Y) (0-9) *27A16033*...
- Página 2 WARNING: This product contains a chemical known to the State of California to cause cancer and birth defects or other reproductive harm.
- Página 3 power audio ready group channel audio ready group channel (A-Y) (0-9) (A-Y) (0-9) BLX88 power audio ready group channel audio ready group channel (A-Y) (0-9) (A-Y) (0-9) BLX88 power audio ready group channel audio ready group channel (A-Y) (0-9) (A-Y) (0-9) BLX88 power...
- Página 4 audio ready group channel power (A-Y) (0-9) BLX4 group (A-Y)
- Página 5 group channel (A-Y) (0-9) channel group channel group channel group group...
- Página 6 group channel (A-Y) (0-9) -10 dB -10 dB...
- Página 7 power ready group channel audio (A-Y) (0-9) BLX4 power ready audio group channel audio ready channel group (0-9) (A-Y) (A-Y) (0-9) BLX88 audio group channel group ready power...
- Página 8 MIC out instrument out power group group channel (A-Y) (0-9) channel power group channel -10 dB...
- Página 9 group group group (A-Y) group group group channel group channel group group channel ready channel group...
- Página 10 group group group channel group group group channel channel...
- Página 11 13 mm (.5 in.) audio audio channel channel channel group channel (A-Y) (0-9) -10 dB...
- Página 12 power...
- Página 13 ready ready...
- Página 16 10 mW, as measured in accordance with ETSI standard EN 300 422. Signed __________________________________ Date: May 16, 2012 Name, Title: Alex Chung, Sr. Manager, Global Compliance, Shure Incorporated PERU DECLARATION OF CONFORMITY Shure Incorporated 5800 W. Touhy Avenue Niles, Illinois 60714-4608, U.S.A.
- Página 17 www.shure.com...
- Página 18 BLX Wireless Systems LEGENDARY SOUND, RIGHT OUT OF THE BOX.
- Página 19 BLX Wireless Systems WIRELESS FREEDOM, MADE SIMPLE. BLX4, BLX4R and BLX88 Diversity Receivers Wireless Transmitters BLX4 Wireless Receiver Additional BLX4R features: BLX4R Rack Mount Wireless Receiver BLX2 Handheld BLX1 Bodypack BLX88 Dual Wireless Receiver Transmitter Transmitter...
- Página 20 VOCAL PG58 SM58 ® 5 8A ® ® Optional Accessory: C A R D I O I D | DY N A M I C C A R D I O I D | DY N A M I C S U P E R C A R D I O I D DY N A M I C BLX4...
- Página 21 20Hz – 20kHz Note: Performance may vary Operating Principle Polar Pattern Frequency Response depending on country regulations Dynamic Condenser Cardioid Supercardioid Omnidirectional Flat Tailored and operating environment. United States, Canada, Europe, Middle East, Africa: Asia, Pacific: Latin America, Caribbean: www.shure.com...
- Página 22 performance gear ™ microphone guide English Italiano Français Español Deutsch Português...
- Página 23 Capture the imagination of your audience. And make a connection with your sound. Just as artists, visionaries and social leaders across generations and around the world have done with Shure products for more than 75 years. p and running fa PG microphones are engineered to be easy to operate.
- Página 24 Speech Karaoke A great microphone for spoken word applications. Lead Vocals Back up Vocals A rugged microphone tuned to accentuate the clarity of lead and back up vocals. Guitar Amplifier Brass and Saxophone A versatile microphone for use with amplified or acoustic instruments. Acoustic Guitar Cymbals A sensitive, flat response microphone ideal...
- Página 25 Kick Drum Bass Amplifier A high-performance microphone specifically tuned to capture low- end punch. Snare Drum Rack/Floor Toms A compact drum microphone for Percussion close miking. Drum mount included. The following suggestions will help you get the best sounding results from your PG microphones: use one microphone per sound source.
- Página 26 Usage Desired Response Setup Minimal “p” popping away from the mouth, slightly and “s” sounds. off to one side. Maximum isolation away from the mouth, from other sources. directly in front of microphone. Emphasized bass, away from the mouth, maximum isolation directly in front of microphone.
- Página 27 Usage Desired Response Setup Emphasized bass. away from speaker, centered directly in front of speaker cone. Higher frequency away from speaker, at the edge of speaker cone. sound. Balanced sound. away from speaker, directly in front of speaker cone. Clear sound. away from the instrument and directly in front of the bell.
- Página 28 Usage Desired Response Setup Good placement when from the sound hole. leakage or feedback is a problem. Full sound. from the sound hole. Less detail. from the bridge. Well balanced, slightly above the side, over the bridge. bright. (hi-hat) aim microphone down toward cymbal, a few inches over edge.
- Página 29 Usage Desired Response Setup Maximum bass away from beater head (inside drum), slightly sound, highest sound off–center from beater. pressure level. Balanced sound. away from beater head (inside drum), directly in front of beater. Balanced, resonant away from outside head, directly in front of beater sound.
- Página 30 Usage Desired Response Setup Crisp “snap. ” above rim of top drum head. Aim mic at drum head. Full, balanced sound. one PG56 on each tom, or between each pair of toms, above drum heads. Aim each mic at top drum heads.
- Página 31 1. Position the front of the microphone as close as possible to the sound source you’re trying to mic. 2. Keep the microphone as far away as possible from loudspeakers. *What is feedback? During the normal operation of any sound system, sound produced by the loudspeakers can be picked up by the microphones, re-enter the system and become amplified.
- Página 32 Cosa è il feedback ? Durante l’esercizio normale di qualsiasi sistema sonoro, il suono prodotto dagli altoparlanti può essere ripreso dai microfoni, rientrare nel sistema e venire amplificato. In certi momenti ciò può creare nel sistema un “sibilo” prolungato e rumoroso, denominato feedback. Qu’est-ce que l’effet Larsen ? Au cours du fonctionnement normal de toute chaîne audio, le son diffusé...
- Página 33 O que é feedback? Durante o funcionamento normal de qualquer equipamento de som, o som produzido pelas caixas acústicas pode ser captado pelos microfones, entrando de novo no sistema e se tornando ampli- ficado. Algumas vezes, isso pode fazer com que o sistema crie um ruído contínuo, extremamente agudo, conhecido como feedback, ou “microfonia”.
- Página 36 Clean the microphone and cable with a dry cloth when necessary. I microfoni PG sono robusti e resistenti per eccellere durante le rappresentazioni professionali, esattamente come i microfoni della serie SM e Beta della Shure. I seguenti consigli sono rivolti ad ottenere la massima durata dei microfoni PG.
- Página 37 Bei Bedarf ist das Mikrofon samt Kabel mit einem trockenen Tuch zu reinigen. Os microfones PG são projetados para durar e para produzir resultados incomparáveis durante shows, tal qual os legendários microfones Shure SM e Beta. As dicas a seguir ajudarão você a aproveitar os seus microfones PG durante muito tempo: Evite deixar o microfone cair.
- Página 40 Picks up the most Rileva la maggior parte Cellule micro Capta la mayor parte sound from in front of del suono dal fronte permettant de capter del sonido delante del the microphone and del microfono e meno surtout le son de la micrófono y algo de some sound from the suono dai lati.
- Página 41 Simple, rugged dia- Diaframma/bobina Diaphragme/bobine Diafragma/bobina phragm/coil. semplice e robusto. simple et robuste. simple y resistente. Handles extreme Accetta livelli estremi Supporte des niveaux Soporta niveles de volume levels without di volume senza extrêmes sans volumen extremos sin distortion. distorsione. distorsion.
- Página 42 Smooth, extended Risposta dolce e étendue et ajustée des- Respuesta uniforme y response. Tuned to prolungata. Progettata tiné à favoriser certains prolongada. Afinado accentuate specific per accentuare tipi types d’instruments ou para acentuar tipos types of instruments, specifici di strumenti de voix.
- Página 43 Eligible to bear CE Marking. Conforms to European EMC Directive 89/336/EEC. Meets applicable tests and performance criteria in European Standard EN55103 (1996) parts 1 and 2, for residential (E1) and light industrial (E2) environments. Contrassegnabile con il marchio CE. Conforme alla direttiva europea sulla compatibilità elettromagnetica 89/336/CEE.
- Página 44 (7131) 7214-30 (service hotline) oder an den zuständigen Shure--Vertragshändler. A Shure garante que este produto estará livre de defeitos por um período de dois (2) anos, a partir da data da compra. Caso este produto apresente algum defeito durante esse período, chame 1-800-516-2525 nos Estados Unidos, para informar-se sobre detalhes quanto ao conserto, substituição ou reembolso.
- Página 47 This microphone operates over a temperature range of -29 to 57 degrees Celsius (-20 to 135 degrees Fahrenheit), and at a relative humidity of 0 to 95%. Weight Net: 321 g (11.3 oz) Packaged: 908 g (2 lb) 1000 Hz Polar Pattern Measured at 1000 Hz Frequency Response www.shure.com ©2008 Shure Incorporated...