Idiomas disponibles
Idiomas disponibles
WILL PREVENT SIGNAL OVERLOAD AND DECREASE DISTORTION. ONCE
YOU HAVE MODIFIED YOUR SOUND AND WOULD LIKE TO INCREASE THE
OUTPUT OF YOUR SOUND, THEN YOU MAY ADJUST THE ROTARY GAIN
CONTROL IF NEEDED.
5. KILLING FREQUENCIES: There are two ways to kill, or can-
cel out, frequencies, only on CH2 (36) and CH3 (43), using the
LOW, MID, and HIGH KILL SWITCHES (59, 60). Each KILL
SWITCH has 3 positions: LATCH, NORMAL & FLASH. When
you move the selected KILL SWITCH to the top LATCH (ON)
position, the switch will stay there, and the frequency will be
killed. When you move the selected KILL SWITCH to the center
position the kill function is not active, and the frequency will not
be killed. When you move the selected KILL SWITCH to the bot-
tom FLASH position and hold it there, the frequency will be
killed. Releasing the selected KILL SWITCH from the bottom
position will bring it back to the center position and the frequen-
cy will no longer be killed.
6. CUE: By connecting a set of headphones to the HEAD-
PHONE (22) jack, you can monitor any or all channels. Press
the CUE BUTTONS (28, 35, 42) for CH1 through CH3 to assign
the CH(s) to be monitored in your headphones. The respective
CUE LED indicators will glow when in use. Use the front panel
located rotary CUE VOLUME CONTROL (44) to adjust the CUE
volume without changing the overall mix. By turning the front
panel located CUE/MIX/PGM (45) rotary control counter clock-
wise you will be able to monitor the assigned CUE signal. Slowly
turning the control clockwise to middle position (MIX) allows you
to monitor CUE mix with PGM. Moving the control clockwise to
the right allows you to monitor PGM output.
Use the CUE SPLIT/MIX SWITCH (48) to split the audio input
playing in your head phones. When the CUE SPLIT/MIX
SWITCH (48) is in MIX mode you will only be able to monitor
your CUE in both headphones, when the rotary CUE/MIX/PGM
CONTROL (45) is in CUE. When the CUE SPLIT/MIX SWITCH
(48) is in SPLIT, you will notice one side of your headphones will
play your CUE and the other side will play PGM, thus enabling
you to monitor both outputs separately. This feature will only
work properly if the CUE/MIX/PGM (45) rotary control is placed
at noon or middle position. If the CUE/MIX/PGM (45) rotary con-
trol is set to CUE you will only here the CUE signal playing on
the left side of your headphones. If the CUE/MIX/PGM (45)
rotary control is set to PGM, the PGM will be the only signal
heard from the right side of your headphones.
7. CROSS FADER SECTION: The CROSS FADER (46) allows
you to mix from one source to another. The CROSS FADER (46)
in your unit is removable and if the need arises can be easily
replaced. Your Gemini mixer comes with a RG-45 (RAIL-
GLIDE™) DUAL-RAIL CROSS FADER. RAIL GLIDE™
CROSS FADERS have internal dual stainless steel rails that
allow the slider to ride smoothly and accurately from end to end.
Also available is our RG-45 PRO (PROGLIDE™) Dual-Rail
CROSS FADER. This unique CROSS FADER features, a spe-
cial curve designed for scratch mixing. Just purchase one from
your Gemini dealer and follow the instructions:
REPLACEABLE CROSS FADER
1. UNSCREW THE OUTSIDE FACE PLATE SCREWS ON THE LOWER HALF OF
THE MIXER. REMOVE THE FADER CAPS AND FACE PLATE.
2.UNSCREW
THE
FADER
(B)
SCREWS. DO NOT TOUCH INSIDE
SCREWS
(C).
CAREFULLY
REMOVE OLD CROSS FADER AND
UNPLUG CABLE (D).
3. PLUG IN THE NEW CROSS
FADER INTO CABLE (D) AND
PLACE BACK INTO MIXER.
4. SCREW THE CROSS FADER TO
MIXER WITH THE FADER PLATE
SCREWS (B).
5. REPLACE THE LOWER HALF
FACE PLATE AND SCREW TO THE
MIXER.
NOTE: DO NOT APPLY PRESSURE WHILE USING THE CROSSFADER.
LIGHTLY GLIDE THE CROSSFADER BACK AND FORTH. PRESSING DOWN
ON THE CONTROLS CAN BEND CONTACTS AND CAUSE A LOSS OF
SOUND.
8. SLOPE CONTROL: The CROSS FADER SLOPE SWITCH
(57) allows you to adjust the kind of curve the CROSS FADER
has. Flip the CROSS FADER SLOPE SWITCH (57) down to
make the slope steep and cutting (perfect for scratching). Flip
the CROSS FADER SLOPE SWITCH (57) up to make the slope
gradual and gentle.
9. REVERSE CONTROL: The CROSS FADER REVERSE
SWITCH (56) allows you to reverse the CROSS FADER so that
the right side CH2 (36) or CH3 (43) is controlled by the left side
of the CROSS FADER (46) and the left side CH1 (29) or CH2
(36) is controlled by the right side of the CROSS FADER (46).
Flip the switch up to activate the REVERSE (56) control. Flip the
switch down to deactivate the REVERSE (56) control.
NOTE: WHEN THE CROSSFADER REVERSE SWITCH (56) IS ACTIVATED,
ONLY THE CROSSFADER REVERSES. THE CHANNEL SLIDES, GAIN, KILL
SWITCHES AND TONAL CONTROLS DO NOT REVERSE.
10. CROSS FADER ASSIGN: The CROSS FADER ASSIGN
SWITCH (58) is used to place CH(s) on either side of the
CROSS FADER (46). When the ASSIGN SWITCH (58) is in the
top position, CH1 (29) & CH3 (36) are assigned to the CROSS
FADER (46). When the REVERSE (56) control is not activated,
CH1 (29) will be on the left and CH3 (43) will be on the right.
When the ASSIGN SWITCH (58) is in the bottom position, CH2
(46) & CH3 (54) are assigned to the CROSS FADER (46). When
the REVERSE (56) control is not activated, CH2 (36) will be on
the left and CH3 (43) will be on the right.
11. OUTPUT SELECTION CONTROL: Once you are comfort-
able with the sound level of your music you may adjust the vol-
ume with the MASTER (47) slide control. You may adjust the
volume of the zone output with the ZONE (51) rotary control. You
may also pan the audio output from left to right with the
BALANCE (52) rotary control.
12. MIC SECTION: Plug your main MIC into the MIC (21) 1/4"
input located on the front panel. Connecting a microphone to the
1/4" MIC JACK (21) allows voice amplification through the
mixer to the stereo through the MASTER RCA (5), ZONE (6),
BALANCED (8) and REC (7) outputs. This MIC is controlled by
the MIC VOLUME (55), HIGH (53), LOW (54) rotary controls. To
activate this section, raise the level of the MIC VOLUME (55).
The rotary knob will click and a green LED will light up to indi-
cate that the MIC (21) is in use.
13. VU METER: The PS-02 has a dual mode VU METER (50)
that allows you to monitor the decibel levels of CUE and PGM or
LEFT and RIGHT stereo levels of the MASTER output. With the
VU MODE SWITCH (49) you may monitor the output level of the
CUE and PGM when the switch is UP. When this mode is
engaged the CUE will be located on the left of the VU METER,
while the PGM will be located on the RIGHT. Or you can moni-
tor the LEFT and RIGHT stereo decibel levels of the MASTER
OUTPUT when the switch is in the DOWN position.
SPECIFICATIONS:
INPUTS:
Phono..................................................................3 mV, 47 KOhm
Line.................................................................150 mV, 27 KOhm
MIC ...............................................1.5 mV, 1 K Ohm Balanced
MIC Bass..........................................................................± 12dB
MIC High...........................................................................± 12dB
OUTPUTS:
Amp/Zone........................................................0 dB 1V, 400 Ohm
Max.................................................................20V Peak-to-Peak
Rec....................................................................225 mV, 5 KOhm
Balanced Master...................................................2V, 400 Ohm
GENERAL:
Frequency Response................................20Hz - 20KHz +/- 2 dB
Distortion.........................................................................< 0.02%
S/N Ratio.........................................................Better Than 80 dB
Headphone Impedance...................................................16 Ohm
Power Source.......................................115/230V, 60/50Hz, 20W
Unit Dimensions..............................................10" x 3.3" x 11.9"
.............................................................(254 x 84 x 303mm)
Weight...............................................................7.45 lbs (3.38 kg)
SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTIFICATION FOR
IMPROVEMENT.
(5)
P P S S -0 0 2 2
P P S S -0 0 2 2
