Tabla de contenido
Idiomas disponibles
Idiomas disponibles
ENGLISH
D. REAR PANEL
53. CONTROL ROOM OUTPUTS
The control room output is normally connected to the monitor system in the control room and provides the
stereo mix or, when required, the solo signal.
54. SUBGROUP OUTPUTS JACK
These four ALT OUT(PUS) carry the signals of the individual subgroups. For multi-tracking connect the
outputs to the inputs of a multi-track recorder.
55. MAIN OUTPUTS
The MAIN outputs carry the MAIN MIX signal and are on balanced XLR connectors with a nominal level of
+4 dBu.
56. PHANTOM SWITCH
With the PHANTOM switch you can activate the phantom power supply for the XLR connectors of the mono
channels for condenser microphones. The +48V-LED illuminates when phantom power is on. In most cases,
dynamic microphones can still be used as long as they are connected in a balanced configuration.
57. POWER SWITCH
Push marked (1), when you want to operate. The LED (SEE NO, 37) will be turned on when working.
58. POWER JACK
This is out of connect the power supply jack.
58
E. INSTALLATION
Experience tells us that the cables in a studio environment get tangled very quickly (inviting mistakes).
7
8
MIC
MIC
BAL
OR
UNBAL
LINE IN
LINE IN
LOW CUT
LOW CUT
75 Hz
18 dB/0ct
18 dB/0ct
+10
+60
+10
+10
—40
+10
—40
TRIM
TRIM
MM 804/1204/1604 E USB
57
56
55
+6
+3
+1
0
-1
-3
-6
L
dB
R
POWER
LEFT
RIGHT
INPUT
OUTPUT
/MONO
1
1
CD/TAPE
L
L
2
2
FX
STEREO AUX RETURNS
AUX SENDS
R
R
BAL
MONO
MONO
OR
UNBAL
L
L
BAL
BAL
OR
OR
FX
UNBAL
UNBAL
75 Hz
FOOTSW
R
R
LEVEL
LEVEL
+ 4
+ 4
—10
—10
+60
LINE IN 9/10
LINE IN 11/12
PHONES
10
54
53
User manual/Manual de Uso
TAPE
OUTPUT
INPUT
L & R
L & R
Tabla de contenido
