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INDEX
SECTION 1.
9
• Wheels
• Aftertouch
SECTION 2.
10
• Shape
10
• The keyboard
• Velocity
10
• The wheels
• 10 Key Pad; (H) (-) (On) (Off)
10
• The zones
SECTION 5.
SECTION 3.
11
• Default settings
11
• Power Input
• General reset
11
• Power Switch
• General programming information
11
• Sustain pedal
• Applications uses and user tips
11
• Volume pedal
• The zones
12
• MIDI Out connections
• The big layer
• The split
SECTION 4.
12
• Another split?
12
• Zone select
• A few tips included for your consideration
12
• Up, Down, Enter/Edit
13
• 10 Key Pad; (H) (-) (On) (Off)
SECTION 6.
13
• MIDI Channel
• Blank Patch Parameter Chart
13
• Bank Select
• Blank Patch Parameter Chart
13
• Program Change
• Global velocity courves
13
• Split
• Programs General MIDI
14
• Transpose
14
SECTION 7.
• Sustain
• Trouble shooting guide
14
14
15
15
15
16
16
16
16
17
17
17
17
17
17
18
18
19
20
21
22
22
ENGLISH
SECTION 1.
Introduction:
Why and how do we use MIDI Controllers? What are Zones? Uses and Applications.
Congratulations on your new purchase of the SL-880 Studio Logic Master Controller by FATAR.
In this manual we will explain the concepts and techniques of using Master MIDI Controllers
to greatly expand your flexibility, creativity, control and productivity in your live or studio
keyboard setup. Whether you are using one multi-timbral sound module or a rack full of them,
this Master Controller Keyboard and all the other Studio Logic Controllers by FATAR will greatly
expand your professional and creative abilities.
The concept of a controller is to centralize your accessibility to your MIDI modules. It gives
you a central point of control over your slave modules in a given setup.
Have you ever tried to line up patches in your sound modules so that when you selected a
patch on your keyboard your other sound modules called up the right patch? Ever tried to
locate a patch position to write over a sound that you hopefully won't need later? Tired of
bending down to squint and see the display and program a module at the bottom of your rack?
All of these scenarios are greatly reduced when using a Master Controller.
The concept of ZONES, SPLITS and LAYERS is as follows:
A ZONE consists of a specified range of keys on your keyboard. That range of notes is assigned
parameter messages that are communicated to your slave module(s). This reduces the need to
write and store patches on your module. These parameters may consist of the following infor-
mation: patch number, volume setting, velocity curve, transposition value, pedal enable,
wheels enable, etc.... When a patch is selected on your Master Controller all of this informa-
tion is sent to your modules instantly. The Studio Logic SL-880 Master Controller by FATAR has
four (4) completely independent zones, meaning each zone can transmit all of its own infor-
mation on any given MIDI channel. The range of notes in each zone can be setup to be adja-
cent to another ZONES range of notes ( one ZONE ends, going up the keyboard, as another
ZONE starts) or assigned to overlap each other or any part of each other's ranges. Thus we
introduce the concept of LAYERS and SPLITS.
A SPLIT is when one ZONE's range of notes ends and another ZONE's begins. A simple exam-
ple would be Bass in the left hand and Piano in the right hand. A ZONE's range of notes can
be any amount of consecutive notes regardless of where another ZONE's notes begin. When
two or more ZONE's range of notes overlap we call this a LAYER.
LAYERS are the way we can build fat lush patches using the full potential of what your synths
and modules have to offer. Let's say we have a big pop ballad that needs your special touch.
We want to create a "Pad Piano" sound to cover the song. Assign each ZONE to cover the enti-
re keyboard's range of notes. Using the four ZONES, assign each of them to play a different
patch: (1) dark rich Electric Piano, (2) bright ringy Electric Piano, (3) slow attack String Pad
with a bit of a release, (4) voice or ambient Synth Pad also with release rate up slightly. If
one or more patches are not in the same octave as the others it's easy to fix. Go to that ZONE's
transpose feature and move it up or down 12 steps to line it up properly with the others.
Something sounds a little mushy when playing Piano parts using the SUSTAIN PEDAL? Try
going to the ZONES for the "non Piano" sounds and experiment with disabling the SUSTAIN
PEDAL for one or the other or both of those zones. Within moments you should have a deep,
rich, rather large and musically useful sounding patch to use on your ballad.
Are you beginning to see the possibilities here? Please step inside the manual and we'll take
you through the simple yet versatile features of the Studio Logic SL-880 Master Controller by
FATAR.
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