Introduction; Features; Basic Setup; Getting Started - Phonic POWERPOD 1860 PLUS Manual Del Usuario

INTRODUCTION

Thank you for your purchase of either the Powerpod K-12 Plus ,
K-16 Plus or 1860 Plus Powered Mixers. all of these mixers are
of a high standard of quality that is synonymous with all Phonic
products, and we are sure will prove to be a valuable investment.
To ensure, however, that you take full advantage of these products,
we advise you to carefully read the entire manual before storing in
a place that is easy to remember and easy to access if necessary.

FEATURES

 High-efficiency switching power supply for achieving high
power and light weight
 Foot switch allows user to on/mute effect processor and tap
delay control
 +48V phantom power switch
 2 stereo input channels with 3-band EQ.
 Tape in and record out with stereo Rca jacks
 2 pre-fader aUX sends and 2 post-fader EFX sends
 Stereo 7-band graphic EQ
 One professional speaker connector and two 1/4" TS phone
jacks on each power amplifier channel for speaker connection
 Stand-by feature allow users to mute all microphone channels
 Handle integrated into casing
 Mono output with low pass filter, variable frequency from 60Hz
to 160Hz
 Molded protective cover to help avoid scratching of the mixer
face
 Mains power switchable between 115Vac and 230Vac
K-12 Plus and K-16 Plus additions
 2 x 500W / 4 Ω bridgeable and patchable power amplifiers
 Dual effect processor, each containing over 100 effects, with tap
delay and numerous test-tones
 Feedback detection
K-12 Plus:

8 Mic/line input channels with 3-band swept mid-range EQ

and insert
K-16 Plus:

12 Mic/line input channels with 3-band swept mid-range

EQ and insert
Vocal eliminator

Solid Phonic Pystem speaker enhancement

1860 Plus additions
 2 x 400W / 4 Ω bridgeable and patchable power amplifier
 a single effect processor featuring 100 effects, with tap delay
and numerous test-tones
 8 Mic/line input channels with 3-band EQ and insert
 Dual setting Phantom Power switch
POWERPOD 1860 / K-12 / K-16

BASIC SETUP

Getting Started

1. Ensure all power is turned off on the K-12 Plus, K-16 Plus or
1860 Plus. To totally ensure this, the ac cable should not be
connected to the unit.
2. all faders and level controls should be set at the lowest
level and all channels switched off to ensure no sound is
inadvertently sent through the outputs when the device
is switched on. all levels should be altered to acceptable
degrees after the device is turned on.
NB. Ensure that the rear of the mixer is not less than 30 centimeters from
the wall, as being closer than that may obstruct the cooling fans and cause
overheating.
3. Plug all necessary instruments and equipment into the
device's various inputs as required. This may include line
signal devices, as well as microphones and/or guitars,
keyboards, etc.
4. Plug any necessary equipment into the device's various
outputs. This could include speakers, monitors, signal
processors, and/or recording devices.
NB. No devices other than speakers should be connected to the power
amp outputs. Plugging inappropriate devices into the mixer will likely cause
damage to the device. also, guitar cables should not be used to connect
amplifiers to speakers.
5. Plug the supplied ac cable into the ac inlet on the back of
the device ensure the local voltage level is identical to that
required on your device. On the Powerpod 1860, set the
Voltage Selector to match the local voltage levels.
6. Plug the supplied ac cable into a power outlet of a suitable
voltage.
7. Turn the power switch on.

Channel Setup

1. To ensure the correct audio levels of each input channel is
selected, every channel should first be switched off and all
faders set to 0.
2. choose the channel that you wish to set the level of, and
ensure that channel has a signal sent to it similar to the
signal that will be sent when in common use. For example,
if the channel is using a microphone, then you should
speak or sing at the same level the performer normally
would during a performance. If a guitar is plugged into that
channel, then the guitar should also be used as it normally
would be.
3. Press the PFl button of the channel, allowing you to see the
audio level in the master level meter.
4. Set the gain so the level meter indicates the audio level is
around 0 dB.
5. This channel is now ready to be used; you can stop making
the audio signal.
6. To activate the channel, release the PFl button and engage
the channel's on button.
7. You should now select the next channel to set and go back
to follow steps 1 through 6.
1