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Idiomas disponibles
Idiomas disponibles
BRIGHT Channel
2. BRIGHT Channel Indicator – When the BRIGHT channel is selected, GREEN indicates BRIGHT Mode
and ORANGE indicates THICK Mode.
3. GAIN Control – Use this to achieve chimey cleans when set before 12 o'clock, to crunchy blues tones!
And of course everything in between! (NOTE: Because of the nature of the design of this amplifier, it
may take a few minutes until the circuit becomes stable after the power is turned on. Some noise might
occur during this time but it soon disappears.)
4. TREBLE Control – This controls the treble (high) frequencies in your sound - from soft and round
when turned down (counter-clockwise) to bright and cutting when cranked (clockwise) and all points in
between.
5. MIDDLE Control – This controls the middle (mid range) frequencies in your sound. From scooped when
turned down (counter-clockwise) to full and rich when cranked (clockwise) and all points in between.
6. BASS Control – This controls the bass (low) frequencies in your sound - from warm and light when
turned down (counter-clockwise) to dark and heavy when cranked (clockwise) and all points in between.
GIRTH Channel
8. GAIN Control – Use this to achieve Rock tones when set before 12 o'clock, to ear bleeding lead tones!
And of course everything in between! (NOTE: Because of the nature of the design of this amplifier, it
may take a few minutes until the circuit becomes stable after the power is turned on. Some noise might
occur during this time but it soon disappears.)
9. GIRTH Channel Indicator – When the GIRTH channel is selected the indicator will turn RED, ORANGE
indicates thick mode.
10. TREBLE Control – This controls the treble (high) frequencies in your sound - from soft and round
when turned down (counter-clockwise) to bright and cutting when cranked (clockwise) and all points in
between.
11. MIDDLE Control – This controls the middle (mid range) frequencies in your sound. From scooped when
turned down (counter-clockwise) to full and rich when cranked (clockwise) and all points in between.
12. BASS Control – This controls the bass (low) frequencies in your sound - from warm and light when
turned down (counter-clockwise) to dark and heavy when cranked (clockwise) and all points in between.
13. VOLUME Control – This affects the overall output level of the GIRTH channel, use this to control the
overall volume whilst retaining all the tonal characteristics. (Hey, who are we kidding here... overdrive!)
MASTER
14. THICK Switch – This switch is used to adjust the front end pre-amp of the amplifier. THICK Mode works
for both the BRIGHT and GIRTH channels - Use this to boost your gain to awesome levels! (NOTE:
when in THICK mode, BRIGHT channel Tone controls are bypassed). Set to THICK on when using the
optional VFS2A footswitch.)
15. REVERB Control – Use this to add ambience to your tone, subtle when turned down (counter-clockwise)
and "surfy" when cranked (clockwise) and everywhere in between.
16. TONE CUT Control – This controls the overall high frequencies of the amplifier, when turned clockwise,
the high frequencies are rolled off.
17. MASTER VOLUME Control – This affects the overall output level of the preamp stage, use this to
control the overall volume of the amplifier whilst retaining all the tonal characteristics.
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