CHANNEL FEATURES
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1. CHANNEL FADER: Controls the signal level
of the MIC or LINE inputs.
2. MUTE/ALT 3/4: Mutes the channel signal
heard in the MAIN OUTPUT and routes the
signal to the ALT 3/4 OUTPUT.
3. PFL/SOLO: Allows the channel signal to be
heard before being affected by the fader.
4. PAN/BALANCE: Assigns the channel signal to
any spot in the mono or stereo spectrum.
5. AUX: AUX A routes channel signal to an
external device like an effects processor. (PRE or
POST fader depending on switch position.)
AUX B controls level routed to internal effects
processor or routes channel signal to an external
device like an effects processor.
6. EQ: Boosts or cuts the respective frequencies for
each channel.
S/PDIF CABLE: We recommend that you use a cable
that is specifically designed to carry a digital signal and
does not exceed 5 meters (16.4 ft) in length.
* Use only high quality cables for digital transfers*
MASTER FEATURES
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Note: It is recommended that the iMULTIMIX
USB be turned off before connecting and
disconnecting any sources to the inputs of the
unit.
1. MAIN MIX: Controls the level of the MAIN
OUTPUTS.
2. ALT 3/4: Controls the level of the ALT 3/4
OUTPUTS.
3.
/ 2TK TO MIX: Routes the 2TK input
to the MAIN faders.
4. ALT 3/4 TO MIX: Routes the ALT 3/4 signal
to the MAIN MIX output.
5. SOLO MODE: Switches the solo'd channel
signals from pre-fader to post-fader listen.
6. HDPH/CTRL RM: Controls the level that is
sent to the PHONES or CTRL RM outputs.
7. MIX SWITCH: Routes the MAIN MIX signal
to the HDPH/CTRL RM output.
8. ALT 3/4 SWITCH: Routes the ALT 3/4 signal
to the HDPH/CTRL RM output.
9.
/ 2TK SWITCH: Routes the 2TK input
signal to the HDPH /CTRL RM output.
10. AUX RET A: Controls the signal level that
returns from AUX A.
11. EFFECTS/AUX RET B: Controls the signal
level of the internal effects or the level returning
from AUX B if in use.
12. LED METERS: Monitors the audio signal level.
13. POWER LED: Illuminates when the mixer is
on.
14. +48V LED: Indicates that the PHANTOM
POWER is enabled for the MIC inputs.
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